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(1)A performer’s rights are infringed by a person who, without his consent, rents or lends to the public copies of a recording of the whole or any substantial part of a qualifying performance.
(2)In [F2this Chapter], subject to the following provisions of this section—
(a)“rental” means making a copy of a recording available for use, on terms that it will or may be returned, for direct or indirect economic or commercial advantage, and
(b)“lending” means making a copy of a recording available for use, on terms that it will or may be returned, otherwise than for direct or indirect economic or commercial advantage, through an establishment which is accessible to the public.
(3)The expressions “rental” and “lending” do not include—
(a)making available for the purpose of public performance, playing or showing in public [F3or communication to the public];
(b)making available for the purpose of exhibition in public; or
(c)making available for on-the-spot reference use.
(4)The expression “lending” does not include making available between establishments which are accessible to the public.
(5)Where lending by an establishment accessible to the public gives rise to a payment the amount of which does not go beyond what is necessary to cover the operating costs of the establishment, there is no direct or indirect economic or commercial advantage for the purposes of this section.
(6)References in [F2this Chapter] to the rental or lending of copies of a recording of a performance include the rental or lending of the original recording of the live performance.
(7)In [F2this Chapter]—
“rental right” means the right of a performer under this section to authorise or prohibit the rental of copies to the public, and
“lending right” means the right of a performer under this section to authorise or prohibit the lending of copies to the public.]
Annotations are used to give authority for changes and other effects on the legislation you are viewing and to convey editorial information. They appear at the foot of the relevant provision or under the associated heading. Annotations are categorised by annotation type, such as F-notes for textual amendments and I-notes for commencement information (a full list can be found in the Editorial Practice Guide). Each annotation is identified by a sequential reference number. For F-notes, M-notes and X-notes, the number also appears in bold superscript at the relevant location in the text. All annotations contain links to the affecting legislation.
Editorial Information
X1The insertion of the new headings "Chapter 1 Introductory", "Chapter 2 Economic Rights", "Chapter 3 Moral Rights" and "Chapter 4 Qualification for Protection, Extent and Interpretation" in Pt. II on 1.2.2006 gives rise to a change in the structure of this legislation on SLD which breaks the continuity of historical versions of the existing provisions which are now brought under those new headings.
Amendments (Textual)
F1S. 182C inserted (1.12.1996) by S.I. 1996/2967, reg. 20(2) (with Pt. III)
F2Words in s. 182C(2)(6)(7) substituted (1.2.2006) by The Performances (Moral Rights, etc.) Regulations 2006 (S.I. 2006/18), reg. 2, Sch. para. 8 (with reg. 8)
F3Words in s. 182C(3)(a) substituted (31.10.2003) by The Copyright and Related Rights Regulations 2003 (S.I. 2003/2498), reg.2(1), Sch. 1 para. 6(2)(c) (with regs. 31-40)
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